Showing posts with label Spotlights. Show all posts
Showing posts with label Spotlights. Show all posts

Thursday, June 10, 2010

Spotlight Award Winner June 2010 - LeChatCrochet Candidly Talks to Ira Mency


This month's spotlight pick is a shop all the way from Holland!  Here, Astrid Sikkema's  Eco-Indie sense of style meets her passion for upcycling and recycling.  I thought it would be interesting to see how it is for an international seller on Etsy, and to learn more about her, and some tips and tricks from her as well.  Welcome to the inner workings of LeChatCrochet!

                                                            From Holland with Love!


Ira:  Astrid, tell us more about you! 
Astrid:  I grew up in a crafty family. Dad loved woodworking and did everything in the house himself from paint jobs to carpeting and even some furniture making. Mom starred at practically everything from sewing to decorative painting and made a good living from it as a craft teacher.
My parents were never ashamed to use scrap materials and made me toys from leftovers or samples they asked for in shops (imagine my doll house from scrap plywood had 100 % woolen carpeting and real wall paper from such samples) and every bit of cardboard from food packaging was saved. Mom made me fancy party dresses from here old evening wear. Her and grandma made my doll’s clothes with leftovers from leftovers of their own handmade clothing. My brothers and I painted on the back side of leftover wallpaper. And so on.
So I guess I have the homemade and recycling idea deep in my bones. Though I hated the clothes I had to take over from my cousins I was always proud to wear my big brothers’ old sweaters and jeans wear and at 14 started to shop for second hand myself. I much preferred that over what the current fashion dictated me. Then started altering clothes and knitting my own sweaters. Ever since I was a little girl yarn and thread had been my favourite craft materials. At 16, soon after my first sweater done with mom’s help I started to unravel old knits I found in the attic to do my own experiments. And have done that ever since to get yarn.
Reusing was simply to get stuff for free when I was young, but the older I get the sadder I get from new mass produced things.
I designed and knitted for years for myself, friends and family, but had to stop because of a nasty shoulder ache. I turned to crochet just because it was pain free but gradually fell in love with the technique that so far I had deemed somewhat uncool. Then the internet came and widened my horizons and for the first time the idea of selling came up. 
   One of Astrid's creations using upcycled yarn. 


Ira:  Explain to me how you found Etsy and more about the decision to sell internationally. 

Astrid : I discovered Etsy in its early stages through a craft community but was put off at first by the poor quality of what I saw from sellers and the fact that you needed a credit card to open a shop. I came back because local channels didn’t do anything at all for me and decided to go international. By then, June 2006 Etsy had grown to be a platform for really talented people and I finally gladly accepted to pay the costs for a credit card (thus far my way cheaper debit e-card did everything for me I needed).

Ira:  So I notice a good portion of my sales go overseas.  Since the Postal Service in the USA has eliminated Surface mail for heavier items, (forcing you to use priority)  it has been very expensive.  I would like to know more about how Etsy works when you have to ship outside of your own country, for instance, into the USA.
Astrid: Shipping abroad is a problem especially for larger items that need a box. On top recently Dutch Postal services have abolished all lower rates (slower shipping) forcing me to ship priority and the minimum I have to charge for the lightest weight packet overseas is $15. Light weight items that ship in a flat envelope are still affordable though. So I focus on that in my shop, keep my item prices fair (lucky as a recycler who has low costs I can do that) but still list large items because they do attract attention.
Ira:  So has this affected your sales, or tell us what percentage of sales come from USA or what percentage from countries near you?
Astrid: Despite of what I said above 80 % of my sales are to the US/Canada. Then maybe 15 % to my own country and only 5 elsewhere in Europe. The fist two numbers do not surprise me, but I wonder why I don’t sell more to other European customers. I thought perhaps it was because I don’t list the shipping fee, but that’s impossible  because I’d have to do each country separately, while the amount remains the same. It would be nice if Etsy made it possible to list Europe as one (regional) destination. Now buyers have to convo me about it. Those who did order didn’t bother and paid the everywhere else fee. The difference is not big though to almost neglectable for the very light weight items.

 This adorable beanie is lightweight and relatively easy to ship, even internationally.
Ira: So how do you stay motivated, or what specifically motivates your creations? 
Astrid : Most times my pretty vast stocks of "found by accident materials" themselves inspire me. While unraveling a knit garment all the possibilities pass my mind. Often that’s enough to get started straight away, sometimes I’m not sure and the material gets stored for a while. Or sometimes the whole garment waits a long time in a box and I only start to unravel it to work out a certain idea.
Simply going through my stocks of yarn, fabrics, buttons, beads may instantly give me new ideas, but if on the other hand an idea comes from the internet or a book I don’t have to wait to get started. I always have what I need right next to me. As said I have a lot, my house is too small to store it all but I love living between my materials and yes, I think that’s what mainly inspires me.

Astrid keeps a wide variety of items available in her shop, from brooches to fruit bowls.



Ira: What tips might you have for others who offer handmade items to promote their shop, or what trials and errors can you share, ie: ideas that have worked for you?  

Astrid:  Soon after I opened I had a custom order for a tea cozy. Not the cheapest thing! It made me feel so confident but I didn’t know a thing about Etsy and didn’t list it as a reserved order. Handled everything by email with the lady and so missed a visible sale. And you know sales generate sales, and you especially need the feedback too as a starter. Then for a long time nothing happened. It took almost a year before I had another order.

The tea cozy that Astrid refers to is an item usually stocked in her shop, like this one priced at $50.


Ira :  I do realize for a lot of the handmade community, it's not uncommon to have a long time in between sales, however, a year is a really long time.  What did you do in the interim, and what can you advise others to do so that they don't lose faith or close their shop? 

Astrid:  I did all the usual things. I started a blog about recycling, put my Etsy widget on it, joined my first team, listed regularly, worked at my photography (still not my strongest point to be honest, but improving step by step). 
I then joined a blogger’s community. I marked down some items. 

I thought a good buyer may make a good seller. I’m not a big spender but sometimes I need supplies I can’t take from curb found items so I started to look on Etsy for them. Found some interesting things and so at least got my first positive feedback.   And finally… yes! Since then I’ve had more or less regular sales (1-3 a month), but I do this next to a job so I’m sure if I had five days a week to put time in it I’d do better.

Ira:  So patience and persistence paid off in your case.   Any favorite things? 
Astrid: I heard a musician – when asked for his favourite piece of music – say: the one I’m listening to or playing at the moment. I think that works for me too. I’m always full of what I’m working on. If I’m happy with the results I’ll make some more, but my attention span is limited and I’m always hungry for trying out something new. I think the diversity in my shop is the proof for that.  :) 


Be sure to check out Astrid's shop, or read more about her HERE.

Monday, May 31, 2010

Spotlight Award February 2010

SPOTLIGHT MEMBER FOR FEBRUARY 2010 - WASTENOT SAKS


Shop Name: WasteNot Saks™

Owner Name: Kwan

Location: Granby, MA



I'm pleased to annouce my Spotlight Member for February 2010. I'm so exicted that WasteNot Saks™ is a new member of our team, and as Team Leader, I'm so happy to have recuited her .

You see, I found her by accident, when we had Cyn from Tranzendental Arts propose our "WasteNot" team tag. I noticed the WasteNot Saks™ coming up and thought to myself, "Oh no, this shop has trademarked the name and we aren't going to be able to use it!" I wrote to her and explained who we are and that we would like to use the tag.

Kwan replied and told us that tag made perfect sense for our team and would be perfectly fine with us using it. When I looked more into her shop I realized, her shop exudes everything our team strives to be, but technically does not fall into our guidelines. This made me rethink our team guidelines ---what if you are not a recycle artist or vintage seller, but eveyrthing you do promotes recycling and a greener earth? Shouldn't these sellers be included also? Isn't that the whole point of our team?

Of course they should.

So I invited her and thanks to Kwan, will invite others who promote the same.

Kwan offers handmade reusable sandwich and snack bags. She provides an eco friendly alternative to the normal sandwich and snack bags - thereby reducing landfill waste and nasty plastic floating in our oceans. She explains, "Each eco-friendly bag is made with a stylish cotton exterior and lined with a water-resistant, FDA approved, food safe nylon. Our items contain no PVC, no Phthalate, no BPA, and no Lead. An added bonus of using nylon is that your food will not come into contact with polyurethane as it would with a PUL liner."

I'm so pleased to have her here with us. In her shop stock is always changing, and in addition to the regular snack and sandwich bags, sometimes you will find lunch sets, doggie treat bags, and waste free lunch sets.



Kwan's history from her BIO:

I am a full-time mom of two young boys and a part-time pediatrician. I began designing and sewing items for my children in my spare time after becoming increasingly frustrated by the lack of quality and style in the mass-produced items litter big box stores.

As my boys are getting older I find that I am using an incredible amount of disposable plastic bags, paper sacks and napkins for their school snacks. As much as I asked my little guys to bring the bags home to reuse them, it just never happened...until I created reusable cloth bags out of their favorite fabrics. Thus "WasteNot Saks" was born -- they treasure their bags and would not imagine just tossing them and they are now also more conscious about reusing and recycling in general. I have some incredible upcycled art on my desk to prove it:).

Thank you to Kwan for being a member and for allowing us to be ourselves. Thanks to you also for doing your part in the environment.





Be sure to check out her shop on Etsy HERE.
Check out this great article I wrote about her HERE.

Spotlight Award March 2010



SPOTLIGHT MEMBER FOR MARCH 2010 
ANNA B GREEN
Also published on AC HERE.




It isn't often that I'm so easily moved, but this is one of those times.  A new addition to the Etsy Recycler's Guild, comes Anna B Green's shop.  When I read more about her, I found out  Anna, from Seattle, is only in the 7th grade, and on Etsy with her parent's support.  I noticed she was making objects such as tote bags, wallets, and purses out of discarded goods. She was also donating 35% of her items sales to Haiti. Not just that, but that she is making a huge difference in her school, community, and among her friends.  She's even went so far as to start her own Green Blog, called  Girls-Go-Green on Blogspot.



She is my Monthly Spotlight Award Winner for March 2010.  Please convo her and give her your support! Now, an exclusive interview with the fabulous Anna!

IRA:  Anna, can you tell us more about you?

ANNA:  I’m a 7th grader at a tiny alternative middle school. I love to sew, read, knit, and crochet.

IRA: What influenced you to join the go-green movement?

ANNA: :  Well for one thing, my Dad does a lot of environmental stuff and I’ve been raised to believe that it is a very important issue. However, what really got me going was when I noticed that the scratch paper boxes in a few of the classrooms weren’t really being used, and there was lots of paper that had one side that was perfectly usable that was just being recycled. I mean, recycling is good, but if you can get one more use out of a piece of paper, you are saving one new piece of paper. I felt like I couldn’t just stand there and watch perfectly good materials being wasted, and I’ve been part of the go-green movement ever since.

IRA: This is awesome.  (Thanks Dad!)  I'm so glad you are thinking outsie the box.  If everyone thought like you, the world would be a greener place.   Now as for the shop, how did you hear about Etsy?

ANNA:  I heard about etsy from Threadbanger, and I thought that would be cool to do when I’m older. When I told my parents about it and they were very encouraging and all my friends were telling me that I should sell the stuff I make, and so it just sort of happened!

IRA: I think that's great.  I know you are new to Etsy, so tell us more about your shop and where it's going.

ANNA:  Currently my shop only carries bags made from plastic bags and repurposed fabric but I have plans for clothes also made from repurposed fabric.



IRA:  So how did the "Girls Go Green" blog come about?

ANNA: I got my friends to help me find scratch paper in the recycling and put scratch paper boxes in every classroom.    We decided that a blog would help organize our thoughts and ideas and because the summer was almost there, we would also be able to continue being green together. We’ve been blogging for almost a year, and it has been a wonderful experience.

IRA: Thanks Anna.  I'm glad you and your friends are making an impact in schools, changing the classrooms one paper bin at a time.  As her Etsy profile indicates, they are just a few eco-savvy middle school who  are making a green community.  Kudos to you!


Be sure to check out Anna's shop on Etsy HERE.

-----------------------

Spotlight Award January 2010

JAN 2010 SPOTLIGHT - CONGRATS TO LUCID DREAMERS!
Steampunk Music Art Guitar Sculpture
When I saw Lucid Dreamer's shop, who is a new addition to the Etsy Recyclers Guild Team, I knew they were something special and I'm so glad to welcome them aboard. I was taken away by their reclaimed creations, because they aren't just thrown together---they are carefully collaged bits of discarded items that are slowly worked together to tell a wonderful story. Eric and Celeste have taken much love for recycled, discarded, or trash objects reclaiming them into wonderful works of art.

Take a look at the attention to detail in their whimsical fairy art sculpture here, (Steampunk Fairy Doll Radar Angel) that retails for only only $55. It is just so cute.
Steampunk Fairy Doll Radar Angel

Another favorite is the detail in this flying insect that retails for only $85 and is actually made from found objects. The detail is just amazing so I'm including shots from all angles.

(Donned Steampunk Sculpture Fantasy Insect Found Objects):
Steampunk Sculpture  Fantasy Insect Found Objects
Steampunk Sculpture  Fantasy Insect Found Objects
Steampunk Sculpture  Fantasy Insect Found Objects
Steampunk Sculpture  Fantasy Insect Found Objects
Perhaps they say it best in their BIO, which tells more about them here:

(Official Etsy Bio)

From a luscious green valley in Western Oregon, Eric and Celeste have been creating all kinds of art from many media over the years. We are enthusiastic recyclers! Celeste works primarily in glass, metal, pastels and watercolors. Eric is a musician as well as an artist, so he works with musical instruments as well as mixed media, including collage, painting, assemblage and sculpture. Sometimes we work on pieces together. When we do, the alchemy of collaboration gives our work greater depth. Our ongoing journey of shared experience, learning and growth is reflected in our work, and we love sharing our vision with others through it. Each piece is unique, based on available materials and the creative whim of the moment.

So, this is my pick for January 2010 - with a new year comes these awesome new creations from Eric and Celeste. Thanks for doing your part for the green earth by upcycling and reusing these bits and scraps and turning them into wonderfully affordable art items!

I'm off to check out their wonderful selection of collaged art and found object necklaces:
Collaged Found Object Necklace OOAK
Techno Tribal Found Object Necklace OOAK Steampunk
And you can too by clicking HERE.

NOTE: I have also published this article about Lucid Dreamers on Associated Content for added exposure, read it HERE.

Spotlight Award for December 2009

DEC CONGRATS TO WINNER OF DEC 2009 SPOTLIGHT
MARY ANNE aka URBAN WOODS WALKER

Eco-Friendly Tin Jewelry, Upcycled Art, Reclaimed Items.

Perler Parrot Earrings

Her shop is amazing, her prices great, and her sales thru the roof. She can barely keep up with the sales. What's the secret? Quality goods, affordable prices, she gives excellent customer service, and even eco-packages your item in recycled wrapping.

She also features her photos on FLICKR, which is how I found this wonderful necklace I bought and her shop. I love it so.

Apple Necklace recycled soda can

Check her out:

ETSY

This IS Globalization -- Trash Chaos Vessel
Online Portfolio:
http://www.flickr.com/urbanwoodswalker/

Check her wonderful tin can stuff out here :
http://www.flickr.com/groups/tab_art/

Spotlight Award April 2010

April 2010:

Please say congrats to "NICKEL CITY GIRLS"

Kelly and Sara are two friends who are upcycling the earth one object of trash at a time. These soon to be objects d'art are quickly making a scene into all of Buffalo and across the nation.  

Their love for painting and furniture got a wee bit out of hand, when they continued to rescue items from thrift stores, unwanted junk piles, and had donations from local contractors.  Their homes were quickly full of these totally revamped creations, so they opened a company that makes all this fun, recycling, and repurposing possible.

This table, upcycled and adorned with vintage keys is too cute.


Sara explains, "We regularly get donations of scrap material from local contractors (paint, wood, tile, discarded furniture and windows from sites), paint stores (wall paper books, Oops gallons) scrap fabric from interior designers and others....as an additional effort to re-use something that would just be put to a landfill."


"Work in Progress"  by the NickelCityGirls

Kelly says, "And thats when we decideed to start selling....we couldn't stop collecting!" 

I envy those two, wouldn't we all like to spend time with our BFF crafting, painting, and repurposing trash into treasure?  Then to make a successful business out of it?  You go girls! What an inspiration to us all.  Notice how they take something that would have otherwise been overlooked, and add the beauty to it. 


A regular record bowl has transformed into a work of art, looks like exquisite pottery.  Amazing. 

Their items are featured in brick-and-mortar shops called "Thin Ice" on Elmwood Avenue, and the "464 Gallery" on Amherst Street if you are local to Buffalo.  They also have a shop on Etsy, a Facebook Product/Service Page and do a lot of networking (like the NickelCityGirls Blog) to promote their business.  Even better, they offer layaway options, and promote trading with other Etsians.  Gotta love that.

Elwood Avenue "Thin Ice" store with Sara and Kelly's stuff "Festival of the Arts."

They've been all over looking for great items to resell.  Sara explains, "We are very lucky! There is a place in Vermont called ReStore that we are able to get a lot of interesting finds, also! It amazes us the things we find just tossed away....mission chairs and antique vanities..."

Locally the repurpose and sell a lot of that otherwise-tossed-out furniture, but that's not all.  They go the extra mile to look for ways to teach others how to do this too. 

Sara continues, "We are also trying to partner with a local not-for-profit (Buffalo Re-Use) to set up classes for them, to teach local people how to use the materials that are donated to them, that they sell (a 'think outside of the box' type of thing)."

It's people like Sara Lusky DiNatale and Kelly O'Shei  who think "outside of the box" that make a difference in this world.  Thank you Sara and Kelly for doing your part to live green, repurpose, reuse, upcycle, recycle and be just such awesome role models to the rest of us.  If we could all get involved in our communities like you are, the world would be a greener place. 

Follow Sara and Kelly by clicking on the links above.


I leave you with this platter, never will you be bored.

Author Note: S&K You have restored my faith in Buffalo, NY ....I admit I was a little jaded after Mr. Big broke my heart.............sigh.....curse you J D!)

Spotlight Award May 2010

Spotlight *Guest* Member for May 2010
Harriete Estel Berman:  The Interview

Introduction:
It's only appropriate that Harriete Estel Berman be our Spotlight member for May, when she has taken so much time to answer our group member's questions in the below interview.   A guest to our group, she is a world reknown artisan who ironically uses recycled tin in her work. (Resume Here)   Aside from having her art in permanent collections in museums worldwide, and having been featured in more books than I can fit on my bookshelf she has been a dynamic force to be reckoned with. 

The reason I really love her is that she helps fellow artisans with helpful advice--not many others do such a thing.  She offers free advice on her AskHarriete blog, which I read frequently to find out new information and you should too.  Harriete has been working with different organizations to better artisans everywhere, but is known for her "Professional Guidelines".   These guidelines have helped artists for years, and I too have used them.  She has now announced there are helpful videos, podcasts, and slideslows available which is wonderful news to us all. 



Official Announcement From Harriete:
Not Just Another Pricing Lecture: A Dialog About Pricing Your Work was the featured program at the 2010 Professional Development Seminar held recently at the SNAG Conference in Houston. The PowerPoint Presentations by our speakers and the Question and Answer Discussion with the audience were recorded. These audio recordings were combined with the SlideShare Presentation so you can experience the same PowerPoint presentations that our audience saw in Houston. The Podcast is a continuation of the discussion with our speakers and the audience (audio only.)

This is the Professional Development Seminar's inaugural attempt to record the program and share this valuable information with a larger audience. The audio has been carefully edited by Harriete Estel Berman. We sincerely hope that this information will prove useful to any artists who access either the Podcast or the SlideShare Presentation .

~ Both are now available on line for free at these two locations:~

Professional Development Seminar page on the SNAG website:


Professional Development Seminar page on Harriete Estel Berman’s web site.

Learn more about pricing your art or craft in a continuing series of articles on ASK Harriete at: http://askharriete.typepad.com/ask_harriete/pricing-your-work/

THE INTERVIEW
From Harriete Estel Berman's Lips to Ira Mency's Ears....

 
Question #1: From Don @ DoLoBoJewelry:  Many artists go through their entire life never making it a profitable career—some possibly not having been marketed properly or not having enough faith in themselves. Some are only discovered by others when they are dead. If you could give one piece of advice to a starving artist, what would it be?

ANSWER: It seems that artists make work either for their vision or to make money. If you want to really pursue your unique vision, you must extend yourself without anticipating what other people will like or buy. The outside influence of the marketplace, whether it is Etsy, a gallery, or a museum curator dilutes the artist’s unique vision.

The most important issue is to pick your priorities. Maybe some work can be focused on making money and separate work can be for being the best artist you can be. It is rare the that same work can achieve both results at the same time. I am not very successful at this combination. I do silver repair, lead exercise classes, teach professional development workshops, lecture, and teach as an artist mentor for earning additional income.

Question #2-#3:  From Adrien @ AdrienArt : Do you find your work to be a way of dealing with the frustration of a disposable materialistic society, or is it arising out of inspiration at all the amazing things out there that people just toss out?   What is the essence of what you want people to receive from your creative gift?

ANSWER: My work is inspired by BOTH. I try to raise awareness about the costs of our disposable, materialistic, wasteful society. I am also inspired by the cultural value revealed by the tins/trash that people throw away.


Question #4:  From Anna @ AnnaBGreen:  How did you get started with tin (tin cans?)

ANSWER: .Starting in high school I collected tin cans. At the time, it was just so I had a tin to store my pins and needles, or art supplies, maybe flour and sugar in my kitchen when I started cooking.

This collection of tin cans served both a practical purpose and awakened an interest in vintage advertising.

Years later (in 1988) with the birth of my son, I radically changed my work and started using tin cans, and vintage steel dollhouses as my raw material
SEE TINS IN STUDIO HERE.

Question #5: From Cheri @ 
ChersPassion What is the #1 most effective way to promote your shop/product?

ANSWER: Selling on Etsy is a tough way to gain visibility, same issue with tweeting, and on line social networking. There are just so many other vendors and a mixed brew of messages bombarding people. While I feel, that the online community offers amazing opportunities, I also think that you are better off developing visibility for your work at other venues, exhibitions, books, volunteering for local art organizations, teaching and activities at local non-profit opportunities. Join local groups, help organize a show, write an article, volunteer, people get to know you and your work somewhere else. Then your Etsy shop can be a way for people to buy your work after a show or after meeting you.

My personal experience on Etsy is that most people who buy my pins or earrings, find out about my work somewhere else, and then go to my online Etsy shop as an opportunity to own a piece of my work. Very few purchases are made because they “discovered” me on Etsy.

Question #6:  From yours truly @  RetroChalet and RetroChaletStudio  Where do you draw the line between crafting what you love to craft, and what others will buy. Should you ever sacrifice your style and what is in your heart to appeal to others wants and needs (and if now, how do you make your product desirable to others?)

ANSWER:   I get really upset at myself when I make/craft something to appeal to an audience. My work is always better when I make EXACTLY what I love. If it doesn’t sell, I can at least know I followed my heart and my intuition.

It is very hard to put on your blinders and follow your inner core, your heart, your own intuition, but anything else seems to always turn out bland, conservative, or inferior.

The Below questions #7-#12 come from TranzendentalArts and Manique Depression (Cyn has great questions!)


Question #7- #8:  Where do your initial design ideas come from? Are they concept first or do you visualize raw materials, color and form then discover their meaning after the project is complete?

ANSWERS:  I usually think about how and why I am going to make a piece for years, YES, years. Sometimes it is working out a technical problem, thinking about how it will go together.

My sketchbook is full of ideas that I accumulate research and information about a particular project over time.

Major pieces may gestate on a nugget of an idea for months to years. Only when I am ready to start the actual fabrication, do I start making the decisions about materials. My focus in recent years, more and more, is to let my ideas dictate the appearance and choice of materials, rather than letting the materials dictate the outcome.   See example videos
 
HERE.

The Fulsome Game, courtesy Harriete Estel Berman  
Sterling silver charm bracelet with framed gameboard display. Frame constructed using pre-printed steel from vintage doll houses and recycled tin containers with 10k. gold and aluminum rivets.......

Question #9-#10:  What are your thoughts on designing something like, say, the Bermaid/Bracelet board game (PICTURED ABOVE or read full description HERE) and then having it mass produced? Would it appeal to you to have the sentiment spread further?

ANSWERS: I have never been particularly interested in production or even limited production. I make only one of a kind…even in the April Flowers group of work, each flower represents a separate set of decisions.  

Harriete's Tin "April Flower" Brooches - See the full set and individual details by clicking HERE.

Throughout the series, the flowers are assembled in different ways. After I sell these (at least, I hope to sell them), I have new ideas for how to fabricate different flowers. My work constantly evolves.  See more examples in my shop HERE, or by clicking the FLICKR set HERE.


 
One of the many gorgeous tin flower brooches.

I really don’t think about repeating something that is popular. Instead, I want to think of how to build upon ideas and create something even more unusual. The act of making a one of a kind marks the work’s place in time and it will remain unique. The fact that only one exists is a strength.

Question #11: Where/how do you collect your tins and how much time do you spend "finding" materials to recycle?

ANSWER: Rarely do I go looking for tins. ….but I can’t help myself if I see something interesting in a “Scrap” place. My studio now contains 1,000’s of tins. People still give me tins, so I will never run “dry.”


   Harriete'sStudio with  Wall of Tins

Question #12:  I loved watching the video on the making of the grass - what a joy to have all those people to help get it done! I assume a few were apprentices and/or students? What are your suggestions on inspiring others to help out on such a large scale project?



ANSWERS:  I am so glad that you liked watching the video, but working on large projects like that are a real challenge. To get people to help, I advertised at local colleges within 90 minutes of where I live. I paid everyone $50. to work for the day. Some friends worked for free, but not many….most people were paid.


It was the most tiring two days of my life. My assistant, emiko oye *helped the two days…slept over and kept on working. It was an expensive and tiring undertaking. Making the grass took over a year of cutting. Most of it was paid labor. 

*Interviewer Note: Be sure to check out Emiko's website HERE which also upcycles common elements into gorgeous wearable jewelry.


Harriete's Grass aka "Gras".... took over a year in the making and was very labor intensive.  Pardon the pun but I think it's very "cutting edge" and gutsy, an inspiration at that!

The whole project sent me to the therapist. Spending so much money and time on one project was really scary.  You have got to be a little “nuts” to work on a big project like the Grass/gras.  
I still show the Grass/gras about once a year if I can find an exhibition space that will pay for the shipping. Just taking out each of the 36 panels and blowing off the dust after exhibiting is a grueling day.


There is little inspiration with a big project, it is nearly all perspiration.

I am doing another big project with pencils, weaving a gigantic bell curve 27 feet wide and 12 feet tall… thousands of pencils, tons of time, and money. I think that I must be insane to do this over and over. Here you can find information about this work in progress.

Question #13:   From Erin @ ABeachBreeze  Can you describe your design process? It takes me several prototypes and sketches before I get the design I want. I was wondering if “real” artists have a better process.

ANSWER: I have thumbnail sketches in my sketch book but when it comes to making the work, and it is an important or bigger piece, I make models out of cut up cereal boxes and hot glue. Sometimes I will spend weeks making models….which is very frustrating…but I know from experience that it will save me time and precious materials later during the actual fabrication in metal.

Question #14 -#15 come from Lindsay @ BuffaloHeart, but also 10 other members of our group were wondering the same thing.  I want to know if it is hard to stay motivated sometimes, and if so, how do you stay motivated as an artist?  How do you maintain your creative vision after so many years and come up with new ideas all the time, what is the secret?

ANSWERS:  It is really hard to stay focused. Usually, I work on several things at the same time….just so I have time to think and reevaluate during the fabrication, and keep on working. I don’t like to be rushed into making decisions without time to consider the choices.

My sketch book is filled with ideas for “dry” moments . If I ever feel stuck, I work on cleaning my studio or finishing incomplete work. Eventually or all of a sudden, I am back to work inspired.

It is a terrible phase to be in,….when there are no ideas in your head. This is the time to “experiment” without any expectation for an outcome. DO NOT LOOK AT BOOKS AND OTHER PEOPLE’S WORK to get ideas. The ideas need to come from inside your own head.

Think about the book/movie Harry Potter. Remember how the Wizard pulls the “thread” of an idea or memory from his head? You have to be able to do something like that too. While it may not be easy to pull that thread from your head, you can do it if you work at it. It gets easier with practice.

Creativity is like exercise. If you aren’t exercising those muscles, then they will get out of shape.

Question #16 from Elizabeth @ SerendipiT  What was the turning point when it was clear that you would make art your life's work?

ANSWER: I have always been this way. There was and never has been a “turning point” when it was clear that art was my life’s work. I am never satisfied and always driven. I have achieved my earlier goals, but new goals are already calling. I am only on a path to success…but never there, at least not yet.

Question #17-#18 from Colleen @ ColleenAttaraStudio I would be curious to know how much of her time is spent creating versus the business of art (marketing, planning etc...).Also, was there one event for her that changed everything; for instance, the first time her work was in a museum. ie: Was there a defining moment when she knew she was successful...

ANSWERS: There is no defining moment of success. My definition of success is always evolving to another goal.  I spend at least half my time, at my desk, more like 75%. This is still with the help of a part time secretary 8 hours a week. The desk work is never done.

That is simply what it takes to do the paper work, work on my web site, work on the Professional Guidelines, work on ASK Harriete, and more. There is a lot of paperwork that goes with exhibiting your work. Artist statements, descriptions, reaching out to curators or exhibitions spaces, proper packing, condition reports and more.


I also give a lot of my time to volunteer services in my neighborhood, or community of artists, etc. This is what I think comes as a responsibility to pay back or “pay it forward.” Not enough people realize that they need to do this too. Everyone has something to contribute.


A new Slide Share presentation with audio and a separate podcast about pricing your work are available now--I taught myself how to do all the audio editing to edit the Professional Development Seminar at the last SNAG Conference titled “Not Just Another Pricing Lecture: A Dialog About Pricing Your Work.”  See them here on the Professional Development Seminar page on Harriete Estel Berman’s web site--or at the Professional Development Seminar page on the SNAG website here: http://www.snagmetalsmith.org/Events/Professional_Development_Seminar/

*For supplemental information and pricing information, visit the Ask Harriete blog. .

NOTE FROM Interviewer IRA MENCY: I received over 30 questions for Harriete, and some were redundant or similar to others, therefore the most concise were taken. Thank you to Harriete for helping us out with this interview. If you have additional questions, or yours was not covered here, feel free to read and / or ask her on her AskHarriete blog .

=====================================================================

Friday, May 7, 2010

An Interview with Harriete Estel Berman

Spotlight *Guest* Member for May 2010
Harriete Estel Berman:  The Interview

Introduction:
It's only appropriate that Harriete Estel Berman be our Spotlight member for May, when she has taken so much time to answer our group member's questions in the below interview.   A guest to our group, she is a world reknown artisan who ironically uses recycled tin in her work. (Resume Here)   Aside from having her art in permanent collections in museums worldwide, and having been featured in more books than I can fit on my bookshelf she has been a dynamic force to be reckoned with. 

The reason I really love her is that she helps fellow artisans with helpful advice--not many others do such a thing.  She offers free advice on her AskHarriete blog, which I read frequently to find out new information and you should too.  Harriete has been working with different organizations to better artisans everywhere, but is known for her "Professional Guidelines".   These guidelines have helped artists for years, and I too have used them.  She has now announced there are helpful videos, podcasts, and slideslows available which is wonderful news to us all. 



Official Announcement From Harriete:
Not Just Another Pricing Lecture: A Dialog About Pricing Your Work was the featured program at the 2010 Professional Development Seminar held recently at the SNAG Conference in Houston. The PowerPoint Presentations by our speakers and the Question and Answer Discussion with the audience were recorded. These audio recordings were combined with the SlideShare Presentation so you can experience the same PowerPoint presentations that our audience saw in Houston. The Podcast is a continuation of the discussion with our speakers and the audience (audio only.)

This is the Professional Development Seminar's inaugural attempt to record the program and share this valuable information with a larger audience. The audio has been carefully edited by Harriete Estel Berman. We sincerely hope that this information will prove useful to any artists who access either the Podcast or the SlideShare Presentation .

~ Both are now available on line for free at these two locations:~

Professional Development Seminar page on the SNAG website:


Professional Development Seminar page on Harriete Estel Berman’s web site.

Learn more about pricing your art or craft in a continuing series of articles on ASK Harriete at: http://askharriete.typepad.com/ask_harriete/pricing-your-work/

THE INTERVIEW
From Harriete Estel Berman's Lips to Ira Mency's Ears....

 
Question #1: From Don @ DoLoBoJewelry:  Many artists go through their entire life never making it a profitable career—some possibly not having been marketed properly or not having enough faith in themselves. Some are only discovered by others when they are dead. If you could give one piece of advice to a starving artist, what would it be?

ANSWER: It seems that artists make work either for their vision or to make money. If you want to really pursue your unique vision, you must extend yourself without anticipating what other people will like or buy. The outside influence of the marketplace, whether it is Etsy, a gallery, or a museum curator dilutes the artist’s unique vision.

The most important issue is to pick your priorities. Maybe some work can be focused on making money and separate work can be for being the best artist you can be. It is rare the that same work can achieve both results at the same time. I am not very successful at this combination. I do silver repair, lead exercise classes, teach professional development workshops, lecture, and teach as an artist mentor for earning additional income.

Question #2-#3:  From Adrien @ AdrienArt : Do you find your work to be a way of dealing with the frustration of a disposable materialistic society, or is it arising out of inspiration at all the amazing things out there that people just toss out?   What is the essence of what you want people to receive from your creative gift?

ANSWER: My work is inspired by BOTH. I try to raise awareness about the costs of our disposable, materialistic, wasteful society. I am also inspired by the cultural value revealed by the tins/trash that people throw away.


Question #4:  From Anna @ AnnaBGreen:  How did you get started with tin (tin cans?)

ANSWER: .Starting in high school I collected tin cans. At the time, it was just so I had a tin to store my pins and needles, or art supplies, maybe flour and sugar in my kitchen when I started cooking.

This collection of tin cans served both a practical purpose and awakened an interest in vintage advertising.

Years later (in 1988) with the birth of my son, I radically changed my work and started using tin cans, and vintage steel dollhouses as my raw material
SEE TINS IN STUDIO HERE.

Question #5: From Cheri @ 
ChersPassion What is the #1 most effective way to promote your shop/product?

ANSWER: Selling on Etsy is a tough way to gain visibility, same issue with tweeting, and on line social networking. There are just so many other vendors and a mixed brew of messages bombarding people. While I feel, that the online community offers amazing opportunities, I also think that you are better off developing visibility for your work at other venues, exhibitions, books, volunteering for local art organizations, teaching and activities at local non-profit opportunities. Join local groups, help organize a show, write an article, volunteer, people get to know you and your work somewhere else. Then your Etsy shop can be a way for people to buy your work after a show or after meeting you.

My personal experience on Etsy is that most people who buy my pins or earrings, find out about my work somewhere else, and then go to my online Etsy shop as an opportunity to own a piece of my work. Very few purchases are made because they “discovered” me on Etsy.

Question #6:  From yours truly @  RetroChalet and RetroChaletStudio  Where do you draw the line between crafting what you love to craft, and what others will buy. Should you ever sacrifice your style and what is in your heart to appeal to others wants and needs (and if now, how do you make your product desirable to others?)

ANSWER:   I get really upset at myself when I make/craft something to appeal to an audience. My work is always better when I make EXACTLY what I love. If it doesn’t sell, I can at least know I followed my heart and my intuition.

It is very hard to put on your blinders and follow your inner core, your heart, your own intuition, but anything else seems to always turn out bland, conservative, or inferior.

The Below questions #7-#12 come from TranzendentalArts and Manique Depression (Cyn has great questions!)


Question #7- #8:  Where do your initial design ideas come from? Are they concept first or do you visualize raw materials, color and form then discover their meaning after the project is complete?

ANSWERS:  I usually think about how and why I am going to make a piece for years, YES, years. Sometimes it is working out a technical problem, thinking about how it will go together.

My sketchbook is full of ideas that I accumulate research and information about a particular project over time.

Major pieces may gestate on a nugget of an idea for months to years. Only when I am ready to start the actual fabrication, do I start making the decisions about materials. My focus in recent years, more and more, is to let my ideas dictate the appearance and choice of materials, rather than letting the materials dictate the outcome.   See example videos
 
HERE.

The Fulsome Game, courtesy Harriete Estel Berman  
Sterling silver charm bracelet with framed gameboard display. Frame constructed using pre-printed steel from vintage doll houses and recycled tin containers with 10k. gold and aluminum rivets.......

Question #9-#10:  What are your thoughts on designing something like, say, the Bermaid/Bracelet board game (PICTURED ABOVE or read full description HERE) and then having it mass produced? Would it appeal to you to have the sentiment spread further?

ANSWERS: I have never been particularly interested in production or even limited production. I make only one of a kind…even in the April Flowers group of work, each flower represents a separate set of decisions.  

Harriete's Tin "April Flower" Brooches - See the full set and individual details by clicking HERE.

Throughout the series, the flowers are assembled in different ways. After I sell these (at least, I hope to sell them), I have new ideas for how to fabricate different flowers. My work constantly evolves.  See more examples in my shop HERE, or by clicking the FLICKR set HERE.


 
One of the many gorgeous tin flower brooches.

I really don’t think about repeating something that is popular. Instead, I want to think of how to build upon ideas and create something even more unusual. The act of making a one of a kind marks the work’s place in time and it will remain unique. The fact that only one exists is a strength.

Question #11: Where/how do you collect your tins and how much time do you spend "finding" materials to recycle?

ANSWER: Rarely do I go looking for tins. ….but I can’t help myself if I see something interesting in a “Scrap” place. My studio now contains 1,000’s of tins. People still give me tins, so I will never run “dry.”


   Harriete'sStudio with  Wall of Tins

Question #12:  I loved watching the video on the making of the grass - what a joy to have all those people to help get it done! I assume a few were apprentices and/or students? What are your suggestions on inspiring others to help out on such a large scale project?



ANSWERS:  I am so glad that you liked watching the video, but working on large projects like that are a real challenge. To get people to help, I advertised at local colleges within 90 minutes of where I live. I paid everyone $50. to work for the day. Some friends worked for free, but not many….most people were paid.


It was the most tiring two days of my life. My assistant, emiko oye *helped the two days…slept over and kept on working. It was an expensive and tiring undertaking. Making the grass took over a year of cutting. Most of it was paid labor. 

*Interviewer Note: Be sure to check out Emiko's website HERE which also upcycles common elements into gorgeous wearable jewelry.


Harriete's Grass aka "Gras".... took over a year in the making and was very labor intensive.  Pardon the pun but I think it's very "cutting edge" and gutsy, an inspiration at that!

The whole project sent me to the therapist. Spending so much money and time on one project was really scary.  You have got to be a little “nuts” to work on a big project like the Grass/gras.  
I still show the Grass/gras about once a year if I can find an exhibition space that will pay for the shipping. Just taking out each of the 36 panels and blowing off the dust after exhibiting is a grueling day.


There is little inspiration with a big project, it is nearly all perspiration.

I am doing another big project with pencils, weaving a gigantic bell curve 27 feet wide and 12 feet tall… thousands of pencils, tons of time, and money. I think that I must be insane to do this over and over. Here you can find information about this work in progress.

Question #13:   From Erin @ ABeachBreeze  Can you describe your design process? It takes me several prototypes and sketches before I get the design I want. I was wondering if “real” artists have a better process.

ANSWER: I have thumbnail sketches in my sketch book but when it comes to making the work, and it is an important or bigger piece, I make models out of cut up cereal boxes and hot glue. Sometimes I will spend weeks making models….which is very frustrating…but I know from experience that it will save me time and precious materials later during the actual fabrication in metal.

Question #14 -#15 come from Lindsay @ BuffaloHeart, but also 10 other members of our group were wondering the same thing.  I want to know if it is hard to stay motivated sometimes, and if so, how do you stay motivated as an artist?  How do you maintain your creative vision after so many years and come up with new ideas all the time, what is the secret?

ANSWERS:  It is really hard to stay focused. Usually, I work on several things at the same time….just so I have time to think and reevaluate during the fabrication, and keep on working. I don’t like to be rushed into making decisions without time to consider the choices.

My sketch book is filled with ideas for “dry” moments . If I ever feel stuck, I work on cleaning my studio or finishing incomplete work. Eventually or all of a sudden, I am back to work inspired.

It is a terrible phase to be in,….when there are no ideas in your head. This is the time to “experiment” without any expectation for an outcome. DO NOT LOOK AT BOOKS AND OTHER PEOPLE’S WORK to get ideas. The ideas need to come from inside your own head.

Think about the book/movie Harry Potter. Remember how the Wizard pulls the “thread” of an idea or memory from his head? You have to be able to do something like that too. While it may not be easy to pull that thread from your head, you can do it if you work at it. It gets easier with practice.

Creativity is like exercise. If you aren’t exercising those muscles, then they will get out of shape.

Question #16 from Elizabeth @ SerendipiT  What was the turning point when it was clear that you would make art your life's work?

ANSWER: I have always been this way. There was and never has been a “turning point” when it was clear that art was my life’s work. I am never satisfied and always driven. I have achieved my earlier goals, but new goals are already calling. I am only on a path to success…but never there, at least not yet.

Question #17-#18 from Colleen @ ColleenAttaraStudio I would be curious to know how much of her time is spent creating versus the business of art (marketing, planning etc...).Also, was there one event for her that changed everything; for instance, the first time her work was in a museum. ie: Was there a defining moment when she knew she was successful...

ANSWERS: There is no defining moment of success. My definition of success is always evolving to another goal.  I spend at least half my time, at my desk, more like 75%. This is still with the help of a part time secretary 8 hours a week. The desk work is never done.

That is simply what it takes to do the paper work, work on my web site, work on the Professional Guidelines, work on ASK Harriete, and more. There is a lot of paperwork that goes with exhibiting your work. Artist statements, descriptions, reaching out to curators or exhibitions spaces, proper packing, condition reports and more.


I also give a lot of my time to volunteer services in my neighborhood, or community of artists, etc. This is what I think comes as a responsibility to pay back or “pay it forward.” Not enough people realize that they need to do this too. Everyone has something to contribute.


A new Slide Share presentation with audio and a separate podcast about pricing your work are available now--I taught myself how to do all the audio editing to edit the Professional Development Seminar at the last SNAG Conference titled “Not Just Another Pricing Lecture: A Dialog About Pricing Your Work.”  See them here on the Professional Development Seminar page on Harriete Estel Berman’s web site--or at the Professional Development Seminar page on the SNAG website here: http://www.snagmetalsmith.org/Events/Professional_Development_Seminar/

*For supplemental information and pricing information, visit the Ask Harriete blog. .

NOTE FROM Interviewer IRA MENCY: I received over 30 questions for Harriete, and some were redundant or similar to others, therefore the most concise were taken. Thank you to Harriete for helping us out with this interview. If you have additional questions, or yours was not covered here, feel free to read and / or ask her on her AskHarriete blog .